Domingo Rodríguez «El Colorao»
Roles
Timple player · Guitarist · Music teacher
Genres
Concert timple · Canarian folklore · Traditional music · Latin music
Instruments
Timple · Guitarra
Activity
1990

Music career

Domingo Rodríguez received family teaching in folk tradition, travelled to Paris in 1985 to study classical guitar with Blas Sánchez and later attended guitar courses in Madrid. In 1990 he returned to the Canary Islands and began teaching. From 1992 onwards he focused his professional career on the timple, performing on stages in the archipelago and in countries such as the United States, Uruguay, Cuba, Germany, France and Mexico.

Contribution

His main contribution lies in professionalising the Fuerteventura timple as a concert and teaching instrument. He was the first timple player to publish a solfege-written timple method used by music schools in the archipelago. His trajectory traces a line of renewal distinct from other soloists: guitar technique, Fuerteventura roots, traditional repertoire and teaching transmission.

Style

His style starts from the timple and Canarian folklore but rests on classical guitar training. His repertoire spans popular pieces, folías, sorondongo majorero, berlina herreña, aires de lima, Latin American repertoire and original compositions. Attention to local memory and sound archiving forms part of his musical practice.

Repertoire

His repertory includes the albums El timple, Timpliando and Aulaga. Timpliando combines Canarian popular pieces attributed to El Colorao, works by Celso Machado, Francisco Tárrega, Jorge Cardoso, Antonio Lauro and Antonio Landaeta, and pieces such as Canción para Ayla.

Legacy

His musical legacy is transmitted through concerts, teaching, a timple method and defence of traditional sound archiving. His work is tied to the Escuela Insular de Música de Fuerteventura and to timple courses across the Canary Islands. His figure completes the modern genealogy of the timple alongside Totoyo Millares, José Antonio Ramos and Benito Cabrera, with a particularly Fuerteventura voice.

Canary Islands connection

He was born in La Vega de Tetir, Fuerteventura, and his career is structured around the timple, family folk tradition, island teaching and Canarian popular repertoire.

Works and recordings

1999

Timpliando

Grabación con Domingo Rodríguez Oramas al timple en todos los temas.

Método de timple en escritura solfeística

Primer método de timple de este tipo usado por escuelas de música del archipiélago.

Canción para Ayla

Pieza atribuida a El Colorao incluida en Timpliando.

Timeline

  1. Nacimiento

    Nace en La Vega de Tetir, Fuerteventura, en una familia de tradición folclórica.

  2. Estudios de guitarra

    Viaja a París para estudiar guitarra clásica con Blas Sánchez.

  3. Regreso y docencia

    Regresa a Canarias y comienza su labor docente.

  4. Centralidad del timple

    Centra su trayectoria profesional en el timple.

  5. El timple

    Publica El timple, su primer disco.

  6. Timpliando

    Publica Timpliando, grabación sonora editada por Estudios Multitrack.

  7. Aulaga

    Publica Aulaga, su tercer trabajo.

Sources