El Guincho
Roles
Music producer · Composer · Musician
Genres
Electronic · Pop · Fusion · Experimental music · Tropical pop
Instruments
Voice · Programming · Percussion · Sampler
Activity
2007

Music career

CanariWiki places Pablo Díaz-Reixa in Barcelona from 2002, after studying Audiovisual Communication, and presents him as part of the Coconot project before El Guincho was consolidated as his own alias. El País described him in 2008 as a 24-year-old musician who had just released Alegranza, the record that projected him beyond the Canary Islands. Pop Negro followed in 2010, then Piratas de Sudamérica, Vol. 1, and finally HiperAsia in 2016, a return that placed him once again in the international circuit. In parallel he developed a career as producer and composer for other artists, especially Rosalía.

Contribution

El Guincho matters because he turned a Canarian sensibility into an exportable electronic language, visible from Alegranza and later consolidated in Pop Negro and HiperAsia. His work helped define a tropical and experimental pop approach that became highly influential in Spanish music criticism, and his later role as Rosalía’s producer reinforced that presence in contemporary popular music.

Style

Sources describe him as working from a pop-and-electronic base shaped by afrobeat, dub, tropicalia and early rock. Alegranza is built from Spanish chants, tribal rhythms, ghostly harmonies and unpolished but strongly rhythmic studio production. Pop Negro keeps the pulse but makes the material colder and more fragmented, while HiperAsia shifts toward an urban and Asian-market imagery. His later work as a producer draws him closer to contemporary pop production and to layered arrangements, processed voices and digital percussion.

Repertoire

The verified repertory for this profile focuses on Alegranza!, Pop Negro, Piratas de Sudamérica, Vol. 1 and HiperAsia. Songs cited by the sources include Palmitos Park, Antillas and Kalise on the debut; Bombay, Novias and Ghetto Fácil on Pop Negro; and Comix on HiperAsia. The profile does not close a total discography or confuse his production work with his releases under the El Guincho alias.

Legacy

His legacy is visible in the normalisation of a Canarian electronic sound open to the Caribbean, Africa and Latin America, and in the influence Alegranza had on later beachy, danceable indie sounds. His production stage with Rosalía added another layer: it turned a musician who emerged from the Canary Islands into a key figure in Spanish pop production in the 2010s.

Canary Islands connection

The Canarian connection is documented in his birth in Las Palmas de Gran Canaria, in the memory of Coconot and Folías, and in a body of work that reuses island rhythms and materials as a starting point for a global language.

Works and recordings

2007

Palmitos Park

Canción destacada por Pitchfork dentro del debut Alegranza! y útil para describir su primer vocabulario sonoro.

2007

Antillas

Tema del debut asociado al imaginario atlántico y tropical del proyecto.

2007

Kalise

Una de las canciones citadas por la crítica como parte del impacto de Alegranza!.

2010

Bombay

Tema de Pop Negro señalado por Pitchfork como el más logrado del álbum.

2016

Comix

Primer single de HiperAsia con Mala Rodríguez, ligado al retorno del proyecto.

Timeline

  1. Nacimiento

    Nace en Las Palmas de Gran Canaria.

  2. Barcelona

    CanariWiki sitúa su residencia en Barcelona desde 2002 tras estudiar Comunicación Audiovisual.

  3. Alegranza!

    Publica Alegranza!, debut en solitario que la crítica internacional identifica como su disco de irrupción.

  4. Premio Música Independiente

    Alegranza! recibe el premio al Mejor Álbum de Pop en los Premios de la Música Independiente.

  5. Pop Negro

    Publica Pop Negro, segundo álbum en solitario publicado por Young Turks.

  6. HiperAsia

    Lanza HiperAsia, un retorno que lo reconecta con la crítica internacional.

  7. El Mal Querer

    CanariWiki y GRAMMY.com lo sitúan en la producción y dirección musical del álbum de Rosalía.

  8. Latin GRAMMY

    GRAMMY.com documenta el álbum ganador El Mal Querer con créditos de Pablo Díaz-Reixa.

Sources